Bring Joy to Life
To overcome her injury, Turner channeled Matisse and his cutouts—his aesthetic adaption to being bed-bound. Painting on crutches forced her to imagine, rather than live, the world she wanted to paint. Instead of walking outside to find her subjects, she had to turn within, to the resources inside her studio—her shelves of art history books, her access online. Open books covered every inch of her workspace: the equine studies of Eadweard Muybridge; scenes by Andrew Wyeth; “The Horse Fair” by Rosa Bonheur. To combat the sensory deprivation of enduring the epic winter indoors, she found palette infusion in the clipped pages of Vogue and Scandinavian design magazines. “I had all of these mentors and teachers and friends in my studio with me,” she says. “It felt like a collaboration.”
With her daily needs cared for by kind friends and family, she focused her strained reserves on her Fall Arts painting. Her usual practice—a rapid dance around her easel, laying down moments and then gliding back for perspective—slowed into solitary brushstrokes, laboriously considered. The resulting work—a lone horse galloping against the backdrop of the mountains—bears no trace of her pain, exuding only communion with nature’s exuberance.
“What a privilege it is as an artist—we can enter another reality,” she says. “I couldn’t move with these horses, but I could move through them.”
Turner Fine Art located in Jackson Hole, Wyoming, is the home gallery of Kathryn Mapes Turner.